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Epicurus.com - The Atomic Cafe
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List Price: $24.95
Our Price: $13.99
Your Save: $ 10.96 ( 44% )
Availability: Usually ships in 24 hours
Manufacturer: New Video Group
Starring: Paul Tibbets, J. Edgar Hoover, Hugh Beaumont, George Molan, William H. Peterson
Directed By: Pierce Rafferty, Kevin Rafferty (II), Jayne Loader
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Average Customer Rating:  
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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 9780767043373
Format: Color
ISBN: 0767043375
Label: New Video Group
Manufacturer: New Video Group
Number Of Items: 1
Publisher: New Video Group
Region Code: 1
Release Date: 2002-03-26
Running Time: 88
Studio: New Video Group
Theatrical Release Date: 1982
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Editorial Reviews:
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On its 20-year anniversary, and not a moment too soon, THE ATOMIC CAFE is back to provide us with a much-needed release of comic energy. A dark comedy in the truest sense, this timeless classic took the nation by storm when it first debuted in 1982. The
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Spotlight customer reviews:
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Customer Rating:
Summary: No narration necessary
Comment: The filmmakers were wise not to do a voiceover here, as none was needed. The images and clips speak for themselves. Sometimes you will laugh, but the laughter will stick in your throat. If you think the fearmongering, propaganda, and outright fabrications sound familiar, they should. The Cold War has simply been updated for our times.
Customer Rating:
Summary: Fabulous summary of the nuclear illusion
Comment: It seems like just yesterday. The fire alarm went off, and we were supposed to climb beneath the desk and cover our heads to prevent our being vaporized. One of our educators was a turtle who told us to "duck and cover." During the same period, we were lambasted with anti-Commie propaganda, and troops were in the field as subjects of further nuclear experimentation.
And we were told nuclear energy would be "too cheap to meter."
Those were the days, huh?
Then I remember in the 1970s a great poster, a copy of the one they used to use to warn us of nuclear attack, the last rule of which was "and kiss your *** good bye." That, of course, was the only effective thing to do if the blinding light were to show us that the "enemy" had decided to blow us away.
The people who put this classic together put together all the elements of that era to expose what the real nuclear illusion is/was. Those weapons go off and we're...gone. Duck and cover ain't gonna do you no good.
In retrospect, I think the appeal of the films put together to make this masterpiece was based on our technophilia: we just felt that we had better things than "they" did, we had more modern things. Sputnik may have stymied that for a while, but we just thought that anything "new," more technical was superior.
By the way, be prepared to see some familiar faces in here: Hugh Beaumont before he became Ward Cleaver, James Gregory before he became a regular on Barney Miller.
Oh, and incidentally, there were countless casualties among the subects of the nuclear weapons experiments. You might want to look up the book "American Ground Zero: The Secret Nuclear War" to see what happened to some of them.
In the meantime, enjoy this classic, and laugh at what we believed to be true so few years ago.
(To their credit, I've talked to 21st century middle school kids who have asked what good "duck and cover" would have done. They see through what many of us who're older didn't!
Customer Rating:
Summary: One of the best documentary films of the cold war
Comment: Anyone over the age of 45 will laugh nervously through this film at the "devil may care" attitude of "Early Cold War America." Between the blissfully ignorant man-on-the-street interviews of everyday citizens to the brutally honest footage of the military test film footage, the viewer gets a clear picture of what was happening to our nuclear arms buildup as opposed to how much the public really understood. Classic clips from interviews, training films, educational television programs and civil defense propoganda is stitched together to create a clear timeline of nuclear anxiety and naiveté without a word of narrated voice-over. This film also includes quite possibly the worlds worst actor: an army chaplain who is trying to ease the anxieties of his fellow soldiers with dialogue that took probably ten seconds to write, but what I'm sure took this poor guy days to rehearse and memorize. Worth the price alone (but you'll enjoy the rest, too.)
Customer Rating: 
Summary: Atomic Cloud
Comment: Viewing this generally well composed archival footage was not as much humorous as ironic nor as horrific as graphic, leaving a sense of nebulousness from which to further contemplate the human experience. Worth watching, from time to time.
Customer Rating:
Summary: THIS FILM is total propaganda.
Comment: I am going to echo the other couple of people who have pointed out that this proto-Michael Moore splice-fest is a none too subtle piece of shamelessly disingenuous and overweening revisionism. As you probably know, it specializes in taking the most superficial and very often awkward and embarassing elements of the Cold War and using them to undermine the entirety the United States' attempt to defend itself against an EXTREMELY hostile enemy, Soviet Russia. There can be no doubt about the sad ironies of this war, and I would direct you to Richard Rhodes's most recent book for an in-depth discussion. However, poking fun at this very serious issue is not only rude and disrespectful but in many ways dangerous.
Let's just take a couple of things in the film. The "hysteria" created from the Alger Hiss case for example. It has now been proved beyond a shadow of a doubt that Hiss and Chambers were in fact involved in espionage against the United States. It is no joke, and nothing to make light of. The Soviets placed thousands of expert personnel in Cuba during the early 60s. There was nothing bush-league about the Cuban Missile Crisis. Oh right, but let's just make some fun of MOST SUPERFICIAL films of that era. Eisenhower tried to give American people a sense of courage and conviction: how "gullible" those poor saps were... this is really annoying stuff. There is nothing subtle about having old footage say the things that you are saying yourself through the footage, or use of music...it's in fact quite juvenile and propaganda 101. But I do give the producers credit for their creative yet facile Bill Maher-esque convictions.
If there is any strength in the film it is the quality of so much of the footage that was shot by these same mocked people. Some of it is amazing to watch.
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