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Epicurus.com - Tracy Chapman
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List Price: $11.98
Our Price: $9.99
Your Save: $ 1.99 ( 17% )
Availability: Usually ships in 24 hours
Manufacturer: Elektra / Wea
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Average Customer Rating:  
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Binding: Audio CD
EAN: 0007559607742
Label: Elektra / Wea
Manufacturer: Elektra / Wea
Number Of Discs: 1
Publisher: Elektra / Wea
Release Date: 1990-10-25
Studio: Elektra / Wea
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Editorial Reviews:
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One of the most striking debut albums ever released, this disc instantly established Chapman as a musical force, and with good reason. Immediacy, integrity of purpose, and unqualified artistry are apparent in nearly every song. And while "Fast Cars" remains Chapman's best-known work, "Talkin' Bout a Revolution" is that rarest breed: a song which is both topical and timeless. Any exploration into Chapman's work should begin with this at times stunning effort; it's a disc of remarkable uniformity and clarity that Chapman has yet to improve on. --Wayne Pernu
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Spotlight customer reviews:
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Customer Rating:
Summary: Awesome!
Comment: She won Grammy for an awesome song "Fast Car" from this album. Check wikipedia for the background on this song - generational poverty
Customer Rating:
Summary: Awesome
Comment: I really enjoy listening to this CD. The radio doesn't play nearly enough Tracy Chapmans songs. I have only ever heard 2 played on the radio and I listen to a wide variety of music. I'd say that I definitely got my moneys worth. And as always the delivery time was excellent.
Customer Rating:
Summary: Where Have All The Prophets Gone?
Comment: Tracy Chapman's first album is a rare classic. Each song tells a story, and alot of subject matter is covered. Everything from love, heartbreak, politics, fascism, poverty, and spousal abuse. Wow, take a deep breathe. I like how each song tells a story, almost like a painting. The song "Talkin' 'Bout A Revolution" kicks off the album. This song reminds me how naive we all were in 80's, thinking this world would or could change for the better. Ending poverty sounds like an ideal concept but it's like fighting the powers that be, and actually things seem like they have gotten worse since 1988. The rich get richer and the poorer get poorer. The whole concept of this album that I think Tracy Chapman was trying to convey is hope. Trying to come from nothing and become something, anything. Build from the ground up. I dedicate "Mountains O' Things" to Oprah. When I heard the song recently it reminded me of her. Like the lyric "draggin' my furs on the ground". It really makes a clear statement of fascism and how we all are caught up in the rat race called life. The deep subject matter Tracy Chapman sings about is what makes her Tracy Chapman. It's pretty dark but she tells a story and makes it beautiful music.
Customer Rating: 
Summary: Soulful sounds, but hard-left lyrics lead to questions...
Comment:
...like when the poor people come to "get their share," will it include the share owned by rich recording artists? And when the poor people do that rising up and "take what's there," aren't there other, less poetic terms for that -- like "theft" and "looting"? Just asking!
Also, if you've got a fast car, and enough gas to drive it around in an attempt to ease your existential angst, why would you be living "at the shelter"? Doesn't it make more sense to sell your fast car and use the money as a down payment on a modest apartment or even a mobile home, and take the bus to the grocery store where you work? And shouldn't you dump your drug addicted boyfriend who's bringing you down? Aren't *you* the one responsible for your life choices? Just asking!
Also, is an upper-middle-class, Connecticut private school-educated, Tufts-attending singer really the right vehicle to explore life at the bottom quintile of American society? Is she authentic, or just a poseur? Is she really "angry" or is she just faking it? Just asking!
Customer Rating:
Summary: Comes Very Close to Music
Comment: Tracy Chapman demonstrates how simple it is to read random selections from a newspaper in a sing-song voice. I particularly liked how they chose to accompany her with musical instruments in order to suggest melody. The CD has eleven tracks. This was done, no doubt, to suggest divisions in what seems to be a 30 minute exercise in how to affect odd inflections of the voice. Perhaps, in the future, Tracy will treat us to imitations of other musical structures.
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